Along with some of the senior missionary sisters, I had a very special experience
recently. We got to take part in
the making of tapa, a traditional ceremonial cloth. The longer I stay here, the more amazed I am at what becomes
a resource on this tiny island.
Tapa is the main tourist-oriented product here, and there
are many tapa artists who create their own versions of traditional
designs. The designs can be
representations of animals, or just geometric patterns. But the cloth and the
ink both come from plants. Tongi
(TOHNG-ee) is an accomplished tapa artist who agreed to spend a few hours with
some Palangi missionaries, and her daughter Lia (LEE-ah) was a wonderful help
as well.
The first step is to strip the bark off a particular kind of
plant. While we watched, Tongi, a
woman of about 60, took a large “bush knife” (similar to a machete) and chopped
down a paper mulberry sapling.
After stripping the branches, she slit the bark open along the bottom of
the 5-foot long stick (which was probably no more than 4 inches around), and
peeled the bark off the stick. She
set the stick aside, and sat down on the ground with the bark. (Sorry, I was too fascinated to take a picture!)
She laid the bark across a narrow, flattened log. This log was about 5 feet long, with
stabilizers underneath each end to hold it up off the ground. She took a
squared, wooden hammer, and began pounding the bark, flattening and widening
the bark. The hammer reminded me
of the meat hammer I have in my American kitchen, only this one had four
different surfaces, rather than the two I’ve used to pound cuts of chicken or
beef.
One of Tongi's large tapa cloths - about 12 feet by 20. |
She hammered away on the bark for a little while, and then passed the hammer
around to the rest of us. Each of
us pounded for about 10 minutes
under her expert supervision, and
what had been a 5-foot long strip of bark four inches or less wide was now
about 8 feet long and almost a foot across. Want it wider?
Pound out another one, then
patch them together! Want it
longer? Patch more together. Some
of these tapa can reach half a
mile long, when all the women in the village decide to put one together.
Tapa drying |
But now to choose a
design. Hmmm… What to do, what to do? And how do we paint it anyway?
Oh, we’ll need some ink. Ink? Like real ink? Wait, from primitive, pre-tech times? Yup. Back to the plants.
A different plant, called a koka tree here in Tonga, is the source of the ink. You collect the sap from the branches, then
you (a) use it fresh, (b) heat it somewhat, or (c) boil it vigorously for 15
minutes, depending on the color you want.
The fresh sap results in a reddish color (usually used for the dry
rubbings), the heated sap gives a lovely golden-brown hue, and if you boil the
sap, it comes out black. All from
the same plant. Pretty impressive.
And to give us some ideas on traditional designs, Tongi
brought out some of her wooden rubbing boards. Those of you who are familiar with German and Dutch cookie
boards might think twice when you look at these pictures. These wooden boards are hand-cut
designs that reminded me right away of the cookie presses I loved in Europe,
but they’re just a tad larger (!), reaching about 18-22 inches in length and
usually about a foot across. (That
would make one BIG cookie!) I also
thought about woodblock painting, but the process here in Tonga is a little different
from that, too. Instead of inking
the woodblock and printing on the paper, you take the tapa, lay it on top of
the board, then make a rubbing with some dry ink. The dry rubbing is only a preliminary guide for your
painting, but it gives you a general idea of what you want to create.
So, we’ve done some of the rubbings, and Tongi gives us cups
of the brown and black inks. You
use sharpened sticks to paint with, like the stick Lia is sharpening in this picture. And whether you use a lot of ink or a
little determines the intensity of your colors. Go to it, girls.
Here’s where my pre-kindergarten skill in art shows up – that’s why you
won’t see MY artwork in these pictures (plus I was nursing a very sore right
wrist this weekend, so I was trying to do most of it with my left hand –
ha!). But the main thing was, we
got to appreciate the effort that goes into making the tapa.
Most of us tried geometric patterns. |
One sister, more artistic than the rest of us, did a sea turtle, a cherished symbol of the South Pacific. |
Our mission nurse works on a royal design. |
Tapa is used as a cover cloth, and in some traditional
dancing, the women wear dresses made of tapa. You can make any decoration you wish for art work, but for
dresses and robes, only royalty can wear the above pattern.
We all felt good about our first efforts at making tapa, but
we were still in awe of Tongi’s designs.
She is one of the few tapa artists who uses a deep red ink, by painting
with the fresh ink over and over again.
She is also one of the few who sprays a fixative on her finished
product, so the ink will not rub off.
This gives her work a glossy coat, and everyone knows shiny is better! The next time you see a tapa, just
remember, even a small one represents a whole lot of love and effort.